Big Mamas Funeral :: Mama Funeral

good-looking Mamas Funeral   Gabriel García Márquez tosh, Big Mamas Funeral, is a story filled with fantastical scenes and events much in line with sham Quixote and Candide. The introductory paragraphs of Big Mamas Funeral and Candide sound so similar in voice the two authors could be mistaken for the same. In Candide, one finds a serial publication of episodes that are so far from the truth and yet perfectly explainable. The story of the fate of Dr. Pangloss, the remainder and resurrection of Cunegund and of her Jesuitical brother, and the story of the old woman with one brass are farcical in the same way as the episodes in Big Mamas Funeral. In Don Quixote, we find a man, for the most part average, who wishes to flex a knight-errant. In his quest is as series of happenings so ridiculous they are nothing succinct of tabloid-style sensationalism, or drug induced hallucinations. In Big Mamas Funeral, we are told the story of the death and funeral of Big M ama. In the events of her life and the days proceeding and proceeding her death we find events and stories of the past that are truly fantastical. In the annals of her past we find that in her family the uncles married the daughters of their nieces, and the cousins married their aunts, and the brothers their sisters-in-law, until an intricate mesh of consanguinity was formed. Here, García Márquez takes the simple act of incestuous relationships, which do occur, and elevates them to an extreme level. This is the writing style of García Márquez and the two aforementioned writers, Cervantes and Voltaire.Big Mamas Funeral Mama Funeral Big Mamas Funeral   Gabriel García Márquez story, Big Mamas Funeral, is a story filled with fantastical scenes and events much in line with Don Quixote and Candide. The introductory paragraphs of Big Mamas Funeral and Candide sound so similar in voice the two authors could be mistaken for the same. In Candide , one finds a series of episodes that are so far from the truth and yet perfectly explainable. The story of the fate of Dr. Pangloss, the death and resurrection of Cunegund and of her Jesuit brother, and the story of the old woman with one buttock are farcical in the same way as the episodes in Big Mamas Funeral. In Don Quixote, we find a man, for the most part average, who wishes to become a knight-errant. In his quest is as series of happenings so ridiculous they are nothing short of tabloid-style sensationalism, or drug induced hallucinations. In Big Mamas Funeral, we are told the story of the death and funeral of Big Mama. In the events of her life and the days proceeding and proceeding her death we find events and stories of the past that are truly fantastical. In the annals of her past we find that in her family the uncles married the daughters of their nieces, and the cousins married their aunts, and the brothers their sisters-in-law, until an intricate mesh of consanguinity was formed. Here, García Márquez takes the simple act of incestuous relationships, which do occur, and elevates them to an extreme level. This is the writing style of García Márquez and the two aforementioned writers, Cervantes and Voltaire.